Previews

Michael Zwiebach - January 13, 2010

The oboe is not the easiest instrument to play under the best of circumstances. So deciding to play Baroque and classical oboes, the less-techologically advantaged forerunners of the modern instrument might seem like a recipe for frustration akin to attempting to surf the internet with a 1980s-era personal computer.

Michael Zwiebach - January 13, 2010

Of the many big names in postwar modernist composition, György Ligeti stands out because his music retains the power to influence and inspire young musicians. The new music group sfSound acknowledges this status in their upcoming concert. Ligeti's glittering Chamber Concerto is the focal point, with a number of musicians from the Bay Area composing short works in response to it.

Joseph Sargent - January 12, 2010
Major anniversaries of a famous composer’s birth or death often occasion great fanfare, yet such honors are seldom accorded the anniversary of the publication of an individual piece.
Marianne Lipanovich - January 12, 2010
It’s play time for the Ives Quartet. This time, in the second of its three-concert series titled “The Nature of Playing,” the Ives will explore how to play well with others.

Not that that’s really a problem; ensemble playing is not exactly a sand box. “Playing,” in all senses of the word, is something the quartet already does well.

Jaime Robles - January 12, 2010
Old First Concerts on Jan. 24 will do what it does best: promote talented, emerging young musicians, when it presents pianist Elizabeth Dorman in chamber concert with cellist Robert Howard and violinist Dan Carlson.
Jeff Dunn - January 11, 2010
Charles Ives and Henry Brant take on
Emerson, Alcott, Thoreau, and Hawthorne
Lisa Petrie - January 10, 2010
Composers and directors often combine art forms in their quest for artistic expression and interesting programming. Pairing music and dance, or music with a visual element, spices up a concert. Yet the California Symphony’s concert on Jan.
Michael Zwiebach - January 7, 2010
One of the best one-line put-downs of Romantic poetic excess comes from Gilbert and Sullivan’s Patience. “Do you yearn?” the poet Bunthorne asks the dairy maid. “I yearn my living,” she replies. Take that, aesthetes.

Patience is as funny as any of the other great G&S collaborations, but unlike the heavy hitters in the canon (The Mikado, H.M.S.

Lisa Petrie - January 5, 2010
The Santa Rosa Symphony, under Music Director Bruno Ferrandis, has put together a program for Jan. 23-25 that appeals on many levels. Highlights of this special exposition of American orchestral works include a tribute to Samuel Barber, on the 100th anniversary of his birth, and John Corigliano’s music from the Academy Award–winning film The Red Violin.
Jeff Kaliss - January 4, 2010
David Harrington points out that a lot of musicians don’t “play” music, but that he’s always wanted to have fun with what he does as founder of and violinist with the Kronos Quartet. He spent his New Year’s Eve morning playing a kelp horn and a dripping water drum created by San Francisco composer and performer Cheryl Leonard, and chatting with San Francisco City College student and electronic sou