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The contemporary opera company is bringing a diverse slate of work to San Francisco next season.

Pacific Symphony's beloved Sunday chamber series makes its recorded debut with eight new works.

Ensemble for These Times surveys nine composers on El Tiempo Latine, with highlights from León, Ortiz, and figgis-vizueta.

As sunny and funny as ever, SF Opera’s revival of its popular 2013 production is musically middling.

The Symphony’s latest program under Miguel Harth-Bedoya raised questions about the allure of a “Spanish” sound.

Elmore shares his love for the bassoon and Beethoven’s Ninth, which SFS has programmed this June.     

Based on John Patrick Shanley’s Pulitzer-winning play, the opera asks whether audiences can handle uncertainty.   

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There’s a theatrical bent to the two big works on the lineup: Carla Kihlstedt’s 26 Little Deaths and Andy Akiho’s Seven Pillars.

SFB reprises two hits from last season: Annabelle Lopez Ochoa’s Broken Wings and Frederick Ashton’s Marguerite and Armand.

Peter Grünberg and John Parr performed Lieder on piano four hands at Berkeley’s First Church on Sunday, Sept. 21.

The orchestra announced that the Emerging Black Composers Project will continue.