The Choir gave a polished, exciting performance of one of the most challenging works in the choral canon.
The conductor led a fervent performance of Tchaikovsky’s Fourth Symphony and Ibert’s Flute Concerto with soloist Yubeen Kim.
The conductor’s eagerly awaited, COVID-delayed first appearance with the LA Phil delivered on every front.
Her overstuffed Cal Performances concert was upbeat to a fault, though it included a few introspective moments.
Through LA Phil’s Green Umbrella series, the composer, violinist, and vocalist curated a kaleidoscopic, hyperkinetic concert.
Departing Music Director James Conlon presided over the whimsical production of Benjamin Britten’s opera at the cathedral.
The great pianist played the composer’s 24 Préludes, with confident brilliance while mishandling some of the quieter pieces.
The talented French pianist made a difficult program of Russian repertoire look easy.
The May 2 performance dove into the music and experience of Indigenous, Black, and Chinese Americans.
The pianist once again showed off his curious — though highly successful — curation intuition.
