Reviews

Charles Burns - March 23, 2026

The March 17 concert at Monk Space featured works by Indigenous composers from the Navajo Nation to the Hawaiian Islands.

Steven Winn - March 23, 2026

The conductor electrified the orchestra, even as his packed schedule makes him an unlikely music director pick.

Shiriel King Abramson - March 17, 2026

Running through March 29, the musical immerses audiences in a pub-like atmosphere and boasts a lively ensemble.

Richard S. Ginell - March 17, 2026

Isabelle Faust championed Robert Schumann’s Violin Concerto and Dinis Sousa conducted Huang Ruo’s topical Tipping Point.

Collin Ziegler - March 17, 2026

The “Luminaries” concert highlighted powerful pieces, and made a case for the contemporary.

Jim Farber - March 17, 2026

A strong cast makes a weak production worthwhile.

Steven Winn - March 17, 2026

Conductor Daniele Rustioni and cellist Daniel Müller-Schott made strong first impressions in music by Brahms and Antonín Dvořák.

George Papajohn - March 17, 2026

In their Cal Performances debut, the quartet delivered an electrifying account of Rihm’s volatile Third String Quartet.

Lisa Hirsch - March 17, 2026

In collaboration with Cal Performances, Philip Glass’s score and live singers brought Jean Cocteau’s 1946 film to life.

Jason Victor Serinus - March 17, 2026

In collaboration with Ogi, Alexander Lloyd Blake releases Running From, Running To: A Musical Reflection on Ahmaud Arbery.