Opera

SFCV’s perceptive writers report on topics relevant to opera.

Michael Zwiebach - August 10, 2026

With Damien Geter’s Ravel-like score, the moving production rounds out West Edge Opera’s summer festival to great effect.

Lisa Hirsch - August 5, 2026

Festival Aix-en-Provence just produced a season of opera unmatched practically anywhere this year. Here's a full report on the extraordinary performances.

Steven Winn - August 4, 2026

The ebullient production of Richard Strauss’ opera hits the mark musically and dramatically, as the young Merolini shine.

Steven Winn - August 4, 2026

Keturah Stickann’s staging gives Handel's Rinaldo an animated Spiderman vibe that maximizes the work’s virtues.

Michael Zwiebach - August 3, 2026

Mark Streshinsky’s cinematic rendering of Benjamin Britten’s opera is a masterclass in psychological drama. The production runs at West Edge Opera through Aug. 15.

Jessica Zimmer - July 28, 2026

Armed with new insights, a director, conductor, and soprano return to a work they performed together 13 years ago.

Jens Ibsen - July 28, 2026

A Berkeley program ties Mozart's Parisian era to Enlightenment ideals, always sounds fresh, and never overstays its welcome.

Nicholas Jones - July 28, 2026

Veering between comedy and heartbreak, the opera made a rare Bay Area appearance in Pocket’s well-done production.

Michael Zwiebach - July 27, 2026

Peter Whelan’s debut as Philharmonia Baroque’s music director is a smashing success thanks to a brilliant cast and orchestra.

Michael Zwiebach - July 21, 2026

The world premiere of Jake Heggie’s comic opera about the legendary 1976 blind tasting is a hometown victory.