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Latest From the SFCV Feed

Michael Zwiebach - February 22, 2011

Are the American Bach Soloists going to watch the nuptials of Kate and William? The group seems like it's preparing for it this weekend, when they'll perform some of the largest and most sumptuous choral works of the late Baroque in “Music for the Royal Women of Britannia.”

Michael Zwiebach - February 22, 2011

This time of year, there are more great pianists trekking through the Bay Area than are easy to keep straight in your mind. One recital that should be on your radar this weekend is Jenny Lin's appearance at San Francisco Performances.

Michael Zwiebach - February 22, 2011

It's that time: early in the year SFCV advised our readers that the Ensemble Parallèle performance of Philip Glass' Orphée was going to be a highlight of the year. That is still true.

Brett Campbell - February 22, 2011

Slide is the latest in a series of opera, oratorio, and experimental theater projects that librettist Rinde Eckert has created with composer Steven Mackey.

Janos Gereben - February 22, 2011

If You See Only One Bollywood Musical ...

... make it Raavanan.
Michelle Dulak Thomson - February 22, 2011

It’s pleasing for a great orchestra to record the standard repertoire; but it’s more exciting, from an audience perspective, for it to record something you’ve not had the opportunity to hear before. The San Francisco Symphony’s recent release is not only an artistic triumph but emblematic of priorities rightly ordered.

Lisa Petrie - February 21, 2011

A few teens from YPSO are taking it pro, gearing up for their next concert. They told SFCV what it's like to play with the Berkeley Symphony.

Jason Victor Serinus - February 21, 2011

Noah Bendix-Balgley, a 26-year-old violinist who combines a blossoming career in classical music with a love for Jewish music and klezmer, has over the years has become in effect become the youngest keeper of a grand tradition. He spoke with SFCV about his upcoming performance at the Jewish Music Festival and what led him to this genre.

Ken Iisaka - February 21, 2011

Rafal Blechacz is among the select few who evidently were chosen to carry Frédéric Chopin’s torch to an international audience. His recital Saturday at Herbst Theatre blazed brightly.

Thomas Busse - February 21, 2011

“The Electric Voice,” Stanford Lively Arts' program of new works for electronics and voice, featuring bass Nicholas Isherwood, reinforced the contradictions and arrogance often associated with the field of highbrow electronic music.