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Latest From the SFCV Feed

Michael Zwiebach - January 18, 2011

Everybody up for a Marin Chamber Music Festival, meet your leader, Sarn Oliver. One, two, three ... jump!

Scott Cmiel - January 18, 2011

The Los Angeles Guitar Quartet brought charisma and virtuosity to a program of mostly Renaissance music (bookended by 19th-century opera arrangements and leavened by a modern classic) at a recital presented on Saturday.

Michelle Dulak Thomson - January 18, 2011

A new performance can make you re-imagine a piece you thought you'd known cold: Two new discs, by the Pavel Haas and Artemis Quartets, remind me of that. And what the two groups share is extraordinary technical crispness coupled with tenderness and intelligence; the ability to refresh and renew.

Janos Gereben - January 18, 2011

S.F.

Vincent Tremblay - January 18, 2011

On Sunday, January 16, San Francisco Classical Voice's video team captured the BAYOF Hope concert and event as it happened. Here is an inside look at the event, which we think captures its raucous energy as well as the amazing self-possession of the very young participants.

Marianne Lipanovich - January 18, 2011

It turns out the 17th century was a great time for women composers. Magnificat Baroque and their guest soloist, soprano Jennifer Ellis Kampani, are hoping that their upcoming program, Donne Virtuose, will lead listeners to discover the wonderful work created by four of such extraordinary women.

Jeff Kaliss - January 18, 2011

Six youth orchestras, 575 players, six charities, one incredible event: the BAYOF Hope festival returns to Davies Symphony Hall.

Vincent Tremblay - January 18, 2011

Watch excerpts from the individual performances by youth orchestras participating in the BAYOF Hope concert on January 16th, 2011 at Davies Symphony Hall.

David Bratman - January 17, 2011

In Music@Menlo's latest concert in this year’s winter series, festivals co-director and pianist Wu Han, Alessio Bax, and Anne-Marie McDermott performed fairly indulgent music from the turn of the 20th century, all of it written for two pianos.

Joseph Sargent - January 17, 2011

There's a powerful magnetism about a great professional countertenor, a singer who exhibits both fantastic vocal range and crystalline purity of tone. David Daniels has built an impressive career as a countertenor, with luscious tone and careful craftsmanship among his assets, as demonstrated in Philharmonia Baroque’s lively program on Saturday.