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Celebrated pop singer and songsmith Rufus Wainwright tells SFCV why he's turned towards composing arias and settings of Shakespeare, and why writers of opera and snarky critics are uneasy bedfellows.

It's dance, it's drumming, it's earsplitting. It's the 2010 International Taiko Festival at Yerba Buena Center for the Arts, an event you won't forget.

It's rare that we give a shout out to the UC Berkeley Chamber Chorus in this space, but they're a really good group. This weekend, it performs Morton Feldman's deep, meditative work Rothko Chapel, a reason to attend by itself.

She's not a household name, but Elizabeth Blumenstock is a world class violinist who has been wowing Bay Area early music lovers for years. So when she and the Philharmonia Baroque take on Vivaldi's Four Seasons, it's time to declare a holiday and take the kids.

One the eve of the 25th anniversary of S.F. Conservatory's chamber music master's degree program, Bonnie Hampton talks about her life, the founding of the program, and the value of being present every day.

SFCV catches up with Conductor Alan Curtis, who is based in Florence, but is back in the Bay Area this week to lead Handel's Xerxes for Berkeley West Edge.

For the past seven years, Bay Area audiences have been benefiting from Kathryn Gould’s Magnum Opus commissioning project as new orchestral works are premiered here. The Marin Symphony will perform the premiere of (not) The Shadow by one of today’s best composers, Avner Dorman.

Bang on a Can has been the epicenter of boundary-less music for more than two decades. Two of the cofounders look back (and forward) at the ongoing revolution they helped inaugurate.

At 20th-anniversary concerts of Musica Pacifica offered performers who reach far beyond merely creating beautiful sounds: They truly create music by infusing the composers’ notes with energy and passion, and with the elusive-but-essential breath of life.