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Latest From the SFCV Feed

Andrew Gilbert - May 23, 2022

The superlative singer plows a rich furrow with pianist Taylor Eigsti, bassist Ben Williams, and drummer Malachi Whitson.

Steven Winn - May 23, 2022

With Tchaikovsky’s Pique Dame, the company returns to live performance, boasting a star turn from soprano Rhoslyn Jones.

Lisa Hirsch - May 23, 2022

The latest iteration of Bullock’s evolving program highlights Black composers and visual artists.

Jeremy Reynolds - May 20, 2022

Audiences like comedy. Opera companies like comedy. So what’s the problem?

Janos Gereben - May 20, 2022

Soprano Amina Edris will create the role originally intended for Julia Bullock, who’s expecting her first child this fall.

Michael Zwiebach - May 17, 2022

The orchestra will feature a variety of soloists next season, while Andrew Bales’s successor prepares to build on the organization’s successes.

Peter Feher - May 17, 2022

Reimagined classics, local ensembles, and visiting orchestras make up the presenter’s classical music series.

Paul Kotapish - May 17, 2022

The new alliance provides a chance to explore “new ideas for performing, recording, and distributing music,” says SFCM President David Stull.

Janos Gereben - May 17, 2022

Daniel Hope talks about his unique vision for an exciting anniversary season.

CJ Ru - May 17, 2022

Ellen Reid’s Floodplain gets its long-awaited world premiere in a lush concert that also includes favorites from Brahms and Beethoven.