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Opera traditionalists will find plenty to like about West Bay Opera’s production, which lacks surprises.

The choreographer brought everything from Bach to jazz to UC Berkeley’s Zellerbach Hall.

In Kaija Saariaho’s Laterna Magica and Hector Berlioz’s Les nuits d’ete, sound color is deployed in the evocation of light.

SFCV talks to the conductor about his time with the Marin Symphony and his vision for the future.

Held every fall, the Crowden School in Berkeley opens its doors to music lovers of all ages.

At a time when most orchestras are cutting musicians, Santa Rosa Symphony is building on its success.

Nicholas McGegan and the orchestra resuscitate Alessandro Scarlatti’s often forgotten work with help from an impressive group of singers.

Christina and Michelle Naughton were the highlight of the orchestra’s October concert set.

​For the first time in the nearly four-decade-long history of the San Francisco Opera's Adler Fellowship a couple has been selected for the program.

Tenor Rinde Eckert, the Kronos Quartet, and Vietnamese multi-instrumentalist Vân-Ánh Võ are collectively powerful in this new opera.