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Latest From the SFCV Feed

Georgia Rowe - January 20, 2012

An outstanding British baritone, blessed with a brilliant accompanist, takes listeners on an atmospheric cruise, with memorable highlights along the way.

Lisa Petrie - January 20, 2012

Benjamin Simon and the S.F. Chamber Orchestra delight in collaborating with youth ensembles such as the gifted Piedmont Choir.

David Bratman - January 20, 2012

There’s something for everyone in the music on a new two-CD set that explores a hidden (and openly honest) side of Shostakovich: his movie scoring.

Jeff Dunn - January 20, 2012

A Bay Area ensemble performs a reduced-forces version of a classic American novel, set in opera form by John Harbison.

Jason Victor Serinus - January 19, 2012

Ensemble Parallèle presents the world premiere of Jacques Desjardins’ chamber orchestration of John Harbison’s The Great Gatsby

Jesse Hamlin - January 18, 2012

Listening to Mozart won’t make you smarter. Music training, though, appears to enhance language skills, according to recently reported studies.

Jason Victor Serinus - January 18, 2012

A voluble, wide-ranging San Francisco opera composer discusses the premiere of his song cycle portraying a French artistic genius.

Jason Victor Serinus - January 17, 2012

Composer Jake Heggie and Librettist Terrence McNally team up to create Great Scott, an opera referencing bel canto works of yore, which The Dallas Opera will premiere three seasons hence.

Janos Gereben - January 17, 2012

The San Francisco Opera is in a better position financially than previously reported, and the lineup for the upcoming season is impressive.