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Latest From the SFCV Feed

Brett Campbell - August 9, 2011

Ensemble Parallèle stages a vivid reimagining of Gertrude Stein’s and Virgil Thomson’s masterwork; Luciano Chessa adds his imaginative response, called A Heavenly Act.

Janos Gereben - August 9, 2011

Gertude Stein, Alas?

While very much appreciating Gertrude Stein’s role in promoting modern art (“The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde” is terrific; closes on Sept. 6!), I am not a fan of her writing.
Jonathan Rhodes Lee - August 8, 2011

With reverence for the past and a lot of detective work, the “pluck-o-philiac” John Phillips restores and builds harpsichords in his Berkeley shop.

David Bratman - August 8, 2011

An atmospheric symphonic poem, a tribute to tango master Astor Piazzolla, and a movie-music-style piano concerto mark a Cabrillo mixed bill.

Jeff Dunn - August 8, 2011

Over 20 years of making new music, Marin Alsop has taken the Cabrillo Music Festival to illustrious heights.

Jeff Kaliss - August 8, 2011

This highly regarded composer of Neo-Americana opens the Cabrillo Festival with a transporting evocation of the Arizona desert.

Stephanie Jones - August 7, 2011

The multitalented Russian-Israeli-American guitarist Yuri Liberzon promises a varied and accessible program for his upcoming recital.

Janos Gereben - August 6, 2011

In the latest production of Rossini's Barber of Seville the young Merolini strut their stuff with a mix of ambition, stress, anxiety, and giddy abandonment.

Jonathan Rhodes Lee - August 5, 2011

A new disc of John Blow’s Venus and Adonis stands as a worthy addition to the library of Baroque opera aficionados.

Jason Victor Serinus - August 4, 2011

Despite several performer mishaps, four singers and their accompanists valiantly presented intimate songs of love by Brahms and cohorts.