How far could, or should, orchestras go in devolving power away from their music directors?
In preparation for its performances of the St. John Passion, SFBC convened a panel to talk about the issue of anti-Semitism in historical context.
Anderson's Landfall is an unmissable work, created with Kronos, while countertenor Fagioli blows away the competition in Handel arias.
Pacific Opera Project has a unique menu for success.
A kaleidoscopic study of the intrepid quartet asks big questions about the nature and purpose of music.
The program celebrates 30 years of providing engaging musical experiences in the public schools.
Randall Kline and SFJAZZ convene jazz players on ways to connect the presenter more closely to the local scene.
The original conductorless orchestra is a model organization in many ways. So why is it so hard to implement the "Orpheus Process"?
Berkeley pianist Laura Klein assembles a crackerjack ensemble to celebrate Marian McPartland's composition legacy.
The commanding pianist is paring things down at Yoshi’s, with a trio that includes Senegalese kora player Seckou Keita and Venezuelan percussionist Gustavo Ovalles.
