Jim Farber

A strong cast makes a weak production worthwhile.

With John Holiday in the title role and Dalia Stasevska commanding in the pit, this revival is a tour de force.

Sundays with Coleman presented the quartet in a concert of the “three Bs” on the Caltech campus.

Staged among giant sculptures at The Broad, Cornelius Cardew’s large-scale work was a curious encounter.

The composer Sarah Kirkland Snider dares to take on one of the medieval world’s biggest thinkers for Beth Morrison Projects’ Prototype Festival.

Four SFCV writers tell us about their favorite shows of 2025!

Maxim Derevianko created a documentary on the 2022 production. The film is being screened for Academy Award and Guild members.

The eighth revival of the company’s 1993 production is well-cast, and brilliantly conducted by Lina González-Granados.

Vancouver-based Ballet BC brought its Bolero X to L.A., a production that involved 31 dancers from USC’s Kaufman School of Dance.

Playing a favorite work by Mieczyslaw Weinberg, the soloist was the standout in a concert of contrasting delights.