As a sampling of Switchboard’s genre-blurring monthly “new music” series, the lineup for the March edition in the Tenderloin was perfectly eclectic.
The power couple of chamber music played and breathe as one in this recital.
The composer Thomas Adès did not impress SFCV's reviewer any more than the conductor Adès did.
Touring behind the release of 1865, their last album together, Anonymous 4 focused on a classic repertoire of American song.
A suite by Edvard Grieg was the surprise highlight of a lively concert.
In the second production of its inaugural season, Eileen Meredith's company delivered a well-cast double bill.
The new music festival brought back artists from its previous 20 years, all of them impressively creative still.
The mezzo soprano's recital in San Francisco with pianist Julius Drake offered rich payoffs in the middle of the program, oddities at the beginning and end.
From the blissful grace of Haydn to the turmoil of Shostakovich, the Oberlin Trio played with great depth of feeling.
Joyous Gershwin, overwhelming Shostakovich: Here are Oakland School of the Arts students’ reactions to a most unusual concert combination.
