Two works that are worlds apart but complement each other shared the bill at Thursday's Berkeley Symphony concert.
The Philharmonic’s Green Umbrella series harbors a Frankenstein and other offbeat works conducted by John Adams.
Warm and fuzzy it wasn't, but Gidon Kremer's traversal of two pieces by Soviet composer Mieczysław Weinberg were worth the price of admission.
SFCV introduces one of the members of the Emerging Writers Program with a review of a cheery winter concert in Northampton, MA.
With an emphasis on women creators, New York's Prototype Festival challenges stereotypes but also delivers powerful music theater.
The New York vocal octet brought Caroline Shaw's Pulitzer-winning Partita and a set of edgy, shorter works to the Twelfth Night Festival.
Usually hidden in the pit, S.F. Opera Orchestra musicians took center stage at Music at Kohl Mansion, and played a beautiful and intriguing concert.
The violinist's bravura playing dominated the concert, but it was Copland who triumphed, musically.
Branford Marsalis as you’ve never heard him before, on solo saxophone, in a ranging program of styles, in the cavernous, holy confines of Grace Cathedral.
With Artistic Director Magen Solomon as tour guide, the S.F. Choral Artists took their audiences on an unusual holiday trip around the world.
