Reviews

Matthew Cmiel - February 10, 2012

A ground-breaking new-music ensemble is still epically cool, releasing its first CD set in four years.

Jeff Dunn - February 10, 2012

The S.F. Symphony's concert entirely devoted to Bruckner’s massive Fifth Symphony, offered a time-bending experience for those utterly engaged by the work.

Jason Victor Serinus - February 8, 2012

Scott Joplin’s historically significant ragtime opera is reconstructed and heard anew, if not in an ideal performance.

Be'eri Moalem - February 6, 2012

Composite rhythms in a challenging program highlight a string quartet’s recital in an intimate art gallery.

Anna Carol Dudley - February 6, 2012

Massive choral forces perform a 16th-century Italian Mass, to splendid effect.

Georgia Rowe - February 6, 2012

In a stunning performance, a new song cycle is born, capturing episodes from the life of a French sculptor.

David Bratman - February 3, 2012

The strong-fingered, highly rhythmic, and coolly emotional pianist Joyce Yang chooses a crafty program for her debut disc.

Jeff Dunn - February 2, 2012

If you ever wondered how today’s symphonies contrast with those of a century ago, a trip to the Marin Symphony to hear Alasdair Neal conduct the orchestra would have been enlightening.

Jim Farber - January 30, 2012

Long Beach Opera’s politicized version of Astor Piazzolla’s surreal “tango operita,” Maria de Buenos Aires treads a fine line.

Michelle Dulak Thomson - January 30, 2012

A magnificent, fantastically controlled string quartet marches up the mountain with four Shostakovich quartets, plus a heartfelt bonus work.