Reviews

Gems From Ludwig

Joseph Sargent - November 23, 2009

When it comes to Beethoven’s vocal music, the average listener’s familiarity is probably limited to a few classics: his opera Fidelio, the Missa solemnis, the final movement of Symphony No. 9.

Review

And Now For Something Completely Different ...

David Bratman - November 23, 2009

Tired of the usual run of jolly Christmas choral music? A nearly full house on Friday in Stanford’s spacious Memorial Church welcomed in their holiday season with a Requiem. And not just any Requiem. What the Stanford Symphonic Chorus and Peninsula Symphony Orchestra had gathered to perform under the baton of Stephen M.

Review

Splendors of the Jon/Jon Duo

Dan Leeson - November 21, 2009

On Friday, the remarkable duo of clarinetist Jon Manasse and pianist Jon Nakamatsu gave a sensational recital of works that covered the period from the first half of the 19th century to a celebratory composition written for the centennial of Benny Goodman’s birth, which occurs this year.

Review

Ablaze With Brahms

Steven Winn - November 21, 2009

The bill was all-Brahms on Friday at Davies Symphony Hall, for the first of two reverently anticipated performances by the Berlin Philharmonic.

Review

Master Class of Wagnerian Intensity

Jeff Dunn - November 21, 2009

It was time for students in the San Francisco Conservatory’s symphony orchestra to knuckle under. The world-famous, dandelion-headed conductor was taking time out of his busy schedule to run a master class workshop just for them. But — gasp — was he encouraging an anarchic free-for-all?

“Don’t do anything correct,” he insisted.

Review

Banking on Greatness

Jason Victor Serinus - November 17, 2009

I have no greater joy than basking in the artistry of a great singer at the top of her form. Such was my feeling as mezzo-soprano Joyce DiDonato, perfectly accompanied by pianist John Churchwell, began her San Francisco Performances recital Monday at Herbst Theatre.

Review

All Hail Henry Cowell

Brett Campbell - November 17, 2009

Lou Harrison called him “the central switchboard for two or three generations of American composers.” John Cage said he was the “open sesame” of American music. Yet Henry Cowell’s significance to American music remains unappreciated, even by most classical music fans.

Review

Sound Garden

David Bratman - November 16, 2009

Some ensembles offering contemporary choral music specialize in the extreme “listener-friendly” end of the spectrum. Not so the San Francisco chamber chorus called Volti, which is interested in something more challenging, both to perform and to listen to.

Review

Putting It Together

Jason Victor Serinus - November 16, 2009

Pictures Reframed, a multimedia presentation of Modest Mussorgsky’s Pictures at an Exhibition that unites the pianism of Norway’s Leif Ove Andsnes (b. 1970) with the graphics and film of South African visual artist Robin Rhode (b. 1976), is a stunning achievement.