Jason Victor Serinus

Jason Victor Serinus regularly reviews music and audio for Stereophile, SFCV, Classical Voice North America, AudioStream, American Record Guide, and other publications. The whistling voice of Woodstock in She’s a Good Skate, Charlie Brown, the longtime Oakland resident now resides in Port Townsend, Washington.

Articles By This Author

Jason Victor Serinus - February 17, 2009

Baritone Quinn Kelsey has a gorgeous voice. It’s large and sonorous, with a distinctive, slightly throaty (aka husky) quality, and a top so beautiful at forte that it could melt the hardest heart. Such a fine instrument, allied to an energetic stage presence, recently made for a most endearing Marcello in San Francisco Opera’s first-cast La Bohème, and an unusually warm, beautiful contribution to Michael Tilson Thomas’ recent San Francisco Symphony performance of Mahler’s Symphony No. 8.

Jason Victor Serinus - February 10, 2009
Danielle de Niese

There comes a time in every alluring young female singer’s life when it is time to grow up.

Jason Victor Serinus - January 27, 2009

At baritone Dmitri Hvorostovsky's all-Russian recital in Davies Symphony Hall, only the blind could focus on voice and musicianship alone.

Jason Victor Serinus - January 20, 2009
Soon into tenor Brian Thorsett's benefit recital Friday in Calvary Presbyterian Church, I could not help but reflect on the arc of a singer's maturity. Some artists emerge at a young age with voice, technique, and intelligence so fully developed that one can only marvel as they continue to grow and mature.
Jason Victor Serinus - December 16, 2008
What would Bay Area choral groups do without Christmas? Even if our amateur choruses can’t compete with the professionals, the warmth and good cheer they generate among audience members, plus the delicious postconcert receptions, go a long way toward justifying the price of admission. A good example is Voices of Musica Sacra, a chamber chorus of some 40 volunteer members.
Jason Victor Serinus - December 2, 2008
Miracles do repeat themselves ... sometimes. Reportedly, the heartwarming sweep of San Francisco Opera music director designate Nicola Luisotti's magnificent conducting became even more revelatory after opening night as he proceeded to push SFO's first cast (Gheorghiu, Beczala, Kelsey, Amsellem, Gradus) of Puccini's La Bohème to its limits.
Jason Victor Serinus - November 25, 2008
Moments arise when the usual checklist of critical absolutes gets set aside and you just listen and sit back and enjoy. Such was the case at the first of two fall concerts by the San Francisco Bay Area Chamber Choir (SFBACC).
Jason Victor Serinus - November 18, 2008
On the face of it, there may seem to be little in common between George Antheil's A Jazz Symphony, the world premiere of Nathaniel Stookey and Dan Harder's ZIPPERZ: A soaPOPera, and Sergei Prokofiev's suites from Romeo and Juliet. But on Friday Michael Morgan and his Oakland East Bay Symphony knew something that their enthusiastic Paramount Theater audience was
Jason Victor Serinus - November 11, 2008
Last week, Jason Victor Serinus investigated singer development in the San Francisco Opera Center's Merola and Adler Fellows programs.
Jason Victor Serinus - November 4, 2008
Who are they? Who will replace the generations of singers who thrilled us and brought us to tears when we first fell in love with opera and art song?