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Latest From the SFCV Feed

Lily O'Brien - February 13, 2023

This year’s PIVOT Festival will showcase the music of Black and women composers, works that haven’t been recorded until now.

Victoria Looseleaf - February 13, 2023

Cast and crew are gearing up for the world premiere of Kate Soper’s The Romance of the Rose, inspired by a 13th-century poem.

Tom Jacobs - February 8, 2023

The star conductor will remain at the LA Phil helm until the end of his contract.

Michael Zwiebach - February 7, 2023

A report in Pasadena Now explains that David Lockington alleges wrongful termination and religious discrimination over a vaccine mandate.

Victoria Looseleaf - February 7, 2023

In a new production, Mozart’s masterpiece shines with an exemplary cast.

Janice Berman - February 7, 2023

The company demonstrates its skill in a rousing assortment of works, by turns surprising, brilliant, and troubled.

Tom Jacobs - February 7, 2023

The schedule this summer at the Bowl reveals a lot of love for Hollywood, along with classical masterworks and a few premieres.

Janos Gereben - February 6, 2023

In a night of highs and emotional speeches, Beyoncé breaks Georg Solti’s record for most Grammy wins ever.

Lisa Hirsch - February 6, 2023

Opera Parallèle’s immersive production puts audiences in the midst of a harrowing score and story.

Simon Cohen - February 6, 2023

Composer Gabriel Kahane mixes indie-pop styles and sophisticated orchestral writing in his darkly satiric emergency shelter intake form.