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Latest From the SFCV Feed

Joe Cadagin - February 4, 2016

Messiaen asks the orchestra to move us toward the infinite in Des Canyons aux étoiles.

Giacomo Fiore - February 4, 2016

The composer’s early piano sonata and an Andrew Imbrie’s Earplay Fantasy dominated the proceedings.

Niels Swinkels - February 3, 2016

The greats and not-so-greats of 17th-century Vienna get a hearing thanks to the Quicksilver ensemble.

Janos Gereben - February 2, 2016

Music Director Joana Carneiro has had to withdraw from the upcoming concert.
 

Rebecca Wishnia - February 2, 2016

The Ives Quartet has morphed into the Ives Collective, which began 2016 with Messiaen’s Quartet for the End of Time

Mark MacNamara - February 1, 2016

The Cypress Quartet musicians are ending their run together, after 20 years. Cellist Jennifer Kloetzel fills in the details.

Lou Fancher - February 1, 2016

The composer/performer is taking the Bay Area by storm with a series of premieres and performances this month.

Janos Gereben - February 1, 2016

San Francisco's Merola Opera Program announced on Monday the selection of 23 singers, five apprentice coaches, and one apprentice stage director for its 2016 season.

Joe Cadagin - February 1, 2016

The singer-songwriter/composer joined string quartet Brooklyn Rider for a different kind of Schubertiade.

Janice Berman - February 1, 2016

Liam Scarlett’s latest ballet goes exuberantly “street,” and Mark Morris’ “Drink to Me Only ...” makes a welcome return.