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Dog Days takes Los Angeles Opera into the heart of post-apocalyptic darkness.

The latest soundtrack affiliated with the popular PBS miniseries pulls together pieces of authentic Tudor music.

Oliver Herbert talks about his experience at the competition and what comes next.

The trio, adjusting to a personnel change for the performance, brought interpretative daring to a performance of Beethoven trios.

Berlioz’s grandest of grand operas makes it to the War Memorial Opera House in a production that scores points on every level.

The Peninsula Symphony has been recovering well from the embezzlement that is sending Stephen Jay Carlton to prison.

The festival brings 300 Bay Area dancers and musicians representing a wide array of cultures to the Palace of the Fine Arts.

The soprano’s performance of Arianna a Naxos lights up the room after an opening plagued with intonation and communication issues.

The Veterans Memorial Building’s Herbst Theatre is set to reopen in October, and the Diane B. Wilsey Center for Opera will occupy the building’s fourth floor.

Mauro Ffortissimo can think of dozens of ways to use and play the piano – all of them unusual.