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Latest From the SFCV Feed

John Lutterman - March 14, 2012

Brilliance and “guts” define the work of a cello soloist and a period-instrument orchestra.

French Clements - March 14, 2012

Whether classical flamenco or modern dance-influenced styles, it’s all in the family in Carolina Lugo’s and Carolé Acuña’s company.

Michelle Dulak Thomson - March 13, 2012

Two sterling violinists “mess about” with Bach, producing interesting but mixed results.

Marianne Lipanovich - March 13, 2012

A beloved chanteuse returns to San Francisco for a journey through time.

Edward Ortiz - March 13, 2012

The conflict in a musical adaptation of an Israeli children’s book mirrors the problems of a major California city.

Janos Gereben - March 13, 2012

Future Greats to Compete in Free Concerts

Catherine Getches - March 12, 2012

Songs by guitarist Trey Anastasio experience new life in an amazing space, backed by the Los Angeles Philharmonic.

Be'eri Moalem - March 12, 2012

Maverick composers are set loose to assault traditional styles and even bust the 12-step Western octave.

Georgia Rowe - March 9, 2012

With programs built around composers such as John Cage, Charles Ives, Meredith Monk, and Lou Harrison, the S.F. Symphony’s three-week “American Mavericks Festival” emerged as one of this conductor’s unmitigated triumphs.

Maria Goodavage - March 9, 2012

A composer/cellist Zoë Keating readies for a performance with a venturesome modern dance troupe.