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Valery Gergiev’s Mariinsky Orchestra, playing two Tchaikovsky symphonies, scrubbed the varnish off the Pathétique and made “Winter Dreams” sound substantial.

José Luis Moscovich’s West Bay Opera again puts on a miracle of a production, on a small stage but with a big heart and an abundance of talent.

The fearless violinist broadens her reach, commissioning new works and keeping up a lively Web presence.

With superb soloists and instrumentalists, Magnificat delivers a perfect rendition of Charpentier’s masque Descent of Orpheus Into the Underworld.

Ensemble Caprice’s program for the San Francisco Early Music Society focuses on the Gypsies, surveying three centuries’ worth of Gypsy-influenced “classical” music.

The South Bay's major premiere of the season is a new work by the leading Argentinian-born composer Osvaldo Golijov, performed by the St. Lawrence String Quartet in the Stanford Lively Arts series.

The Cypress String Quartet is bringing in renowned cellist Gary Hoffman to help them play Schubert's masterpiece, the String Quintet in C Major.

Let’s hear it for “More power to the cello!” The L.A. Philharmonic and its dynamic director arrive in town with Johannes Moser his plugged in instrument.

What do today’s huge range of composers call their works? Almost every term is up for grabs, as the relevance of the word classical fades.

San Francisco Opera unveiled director Gabriele Lavia's new production of Mozart's Don Giovanni in what revealed to be a thrilling and inspiring Hall of Mirrors.