Dancing plays a prominent role in this production, whose revival marks McNamee’s directorial debut with the company.
Cann, who debuts with the SF Symphony this week, talks about discovering Price and jazzing Rhapsody in Blue.
A new film shows how Music Director Eun Sun Kim and the entire company handled the massive undertaking of staging Wagner’s Lohengrin.
Flutist and composer Rachel Beetz shares her latest works and improvisations.
Zimmerman conceived her latest show, The Matchbox Magic Flute, the same way she developed many of her hits.
The world premiere of Ortiz’s new concerto for cellist Alisa Weilerstein pairs with Mendelssohn’s music to A Midsummer Night’s Dream.
The Japanese musical icon speaks with SFCV about why she stayed away from the Golden State for so long.
With a new executive director at the helm, the organization is preparing for another busy year of concerts and collaborations in the Bay Area.
At Cal Performances, Grevious captivates with her musical advocacy for Beethoven’s “Kreutzer” — or rather, “Bridgetower” — Sonata.
Livermore Valley Opera Artistic Director Erie Mills and soprano Véronique Filloux love La fille du régiment for different reasons.
