Los Angeles

David T. Little’s composition is a challenging experiment in form and genre, part film screening and part live performance.

Dancing plays a prominent role in this production, whose revival marks McNamee’s directorial debut with the company.

Mixing surprise with structural logic, the nonconformist soloist steals the show in Dmitri Shostakovich’s Violin Concerto No. 1.

In a performance at Disney Hall, the pianist and his band champion the legacy of this influential figure in the early history of jazz.

Flutist and composer Rachel Beetz shares her latest works and improvisations.

The city’s major arts institutions, from The Music Center to MOCA, host a free festival this weekend.

The chamber orchestra’s relaxed BroadStage concert offers an arresting contrast between classical and modern music.

A concert series exploring the physics and physiology of music is also a celebration of L.A.’s diversity.

The orchestra, led by Rafael Payare, christens the hall with a performance of Gustav Mahler’s epic Symphony No. 2.

The world premiere of Ortiz’s new concerto for cellist Alisa Weilerstein pairs with Mendelssohn’s music to A Midsummer Night’s Dream.