Richard S. Ginell

Gustavo Dudamel and Cho drew a capacity crowd for a concert connecting two musical giants.

Leonard Slatkin conducted a program including his son Daniel’s Voyager 130 and Gustav Holst’s The Planets.

The directors keep expanding the festival’s programming in surprising and inventive ways.

Mendelssohn’s first masterpiece and Haydn’s final work, his Harmoniemesse, make for a joyous opening night.

The orchestra’s first concert of the summer features conductor Thomas Søndergård and music by Rachmaninoff and Prokofiev.

Conducting his friend Kaija Saariaho’s Adriana Mater, Salonen makes the best case for this disturbing, sometimes dreamlike opera.

The pioneering minimalist composer is honored over two evenings, and his music seems to speak to the ethos of everyone onstage.

Jean-Yves Thibaudet solos in Gershwin on a concert that also includes Caroline Shaw’s The Observatory.

The soloist resurrects the Armenian composer’s Piano Concerto and several solo works in a new recording.

The orchestra celebrates its connection to the modernist maestro with a bold, innovative concert.