SFCV’s perceptive writers report on topics relevant to opera. Review A Shabby Tosca Misses the Mark at LA Opera Jim Farber - November 21, 2022 Great singing can’t rescue this drab revival. Review SF Opera’s Orpheus and Eurydice Overdoses on Grief Nicholas Jones - November 20, 2022 Sign of the times? Matthew Ozawa’s directorial vision emphasizes darkness over grace and resilience. Feature The Essential Joyce DiDonato Jason Victor Serinus - November 15, 2022 The mezzo who portrayed Rosina despite a broken leg is now one of the finest bel canto singers of our era. Here’s where to start with her discography. Music News “Voice Whisperer” César Ulloa Nurtures Young Talent Janos Gereben - November 15, 2022 The celebrated teacher who’s trained budding singers at the SF Conservatory of Music and beyond turns 70 this year. Review Fall in Love Again With SF Opera’s La traviata Jason Victor Serinus - November 15, 2022 Soprano Pretty Yende leads a winning cast that brings this beautiful new production to life. Artist Spotlight Pretty Yende’s Journey From Small-Town South Africa to the Opera Stage Lily O'Brien - November 7, 2022 The star soprano, who makes her SF Opera debut this month as Violetta, says hard work is at the core of everything she does. Music News SF Opera Awards Medals to Three of Its Most Faithful Performers Michael Zwiebach - November 1, 2022 Catherine Cook, Philip Skinner, and Dale Travis were given the SF Opera Medal for their more than three decades of inspired performances. Artist Spotlight A Wunderkind Comes of Age: Alma Deutscher Returns to Cinderella Lisa Houston - October 31, 2022 Now studying conducting at university in Vienna, the young composer has revised her first opera and written another. Review Omar Proves to Be a Profoundly Moving Spectacle at LA Opera Richard S. Ginell - October 25, 2022 An outstanding production and epic musical score highlight a triumphant West Coast premiere. Review Arkhipov Traverses Perilous Waters in Concert Premiere Jim Farber - October 24, 2022 Peter Knell and Stephanie Fleischmann’s brooding new opera portrays the Soviet side of the Cuban Missile Crisis. Pagination « First First page ‹ Previous Previous page … 32 33 34 35 36 37 38 39 40 … Next › Next page Last » Last page