The Ariel Quartet plays two of the warhorses in the repertoire, in concert at Kohl Mansion.
Film composer Aaron Zigman’s Tango Manos is the highlight of this festive valentine of a concert.
It’s an all-out production, and singers and orchestra shine.
The dancing is admirable, but the ideas don’t pay off in Trey McIntyre’s new piece.
It’s all bright on the surface, but Mark Morris’s sprightly play on perky, mid-century musical tropes has a darker side, too.
The power trio braids strands of music, history, sociology, and culture into a spiritual whole that transcends easy categories.
The jazz singer demonstrates her skill at excavating hidden depths in her material, and she does it all with swing and panache.
Pianist Natasha Paremski brings grace to a Rachmaninoff concerto.
The lauded choreographer wraps a year as artist-in-residence at Grace Cathedral with three powerful “offerings” danced in the church’s nave.
The SF Girls Chorus was on hand to embody that assertion.
