Reviews

Jim Farber - April 8, 2019

POP’s striking new production features a bilingual libretto.

Richard S. Ginell - April 8, 2019

The Conrad Prebys Performing Arts Center boasts acoustics designed by famed Yasuhisa Toyota.

Alex Rosenfeld - April 8, 2019

Ensemble for These Times provides live music for experimental projections and film clips.

Ken Iisaka - April 2, 2019

Making the difficult seem easy is what the pianist does best, as his Davies Hall recital demonstrated.

David Bratman - April 2, 2019

The U.S. premiere of a Samuel Adams concerto grosso highlights a gentle concert.

Ken Iisaka - April 2, 2019

Juxtaposing the composer’s early and late styles made for effective contrasts as well as interesting interpretive choices.

Joe Cadagin - April 2, 2019

Kaminsky’s strong music is the focal point of Opera Parallèle’s world-premiere production.

Tysen Dauer - April 2, 2019

Two contemporary composers obliterate preconceptions about music and the objects – and people – making it.

Brin Solomon - April 2, 2019

Two experimental artists in their first collaboration make a challenging, surprising piece.

Janice Berman - April 1, 2019

Liam Scarlett’s Isle of the Dead is forceful and virtuosic in its world premiere.