A poorly-coordinated performance of Terry Riley’s In C caps off the evening.
Two musicians from the Brooklyn Art Song Society perform new works by UC Davis composers and poets.
Stéphane Denève leads a compelling performance, and Gautier Capuçon is the soloist.
The oratorio comes together with excellent soloists and choral contributions.
Composer Martin Matalon’s score for a 1919 silent film comedy isn’t meant as underscoring, and that’s part of the problem.
A band dedicated to the legacy of the under-recognized jazz great Mary Lou Williams delivers showstoppers with ease.
A fascinating concert of seldom-heard music reflects on the Europe of a century ago.
The Santa Rosa Symphony’s music director bows out with a strong reading of Mahler’s epic Ninth.
Volti Vocal Ensemble breathes life into the works of four living composers.
Composer-in-residence Katherine Balch’s world premiere and Haochen Zhang’s pianism raised the stakes.
