The Clayton-Hamilton Jazz Orchestra backs the Master Chorale and guest vocalists in music by Duke Ellington and Mary Lou Williams.
The soprano’s interpretive skills make the case for André Previn’s final work, Penelope, among other selections.
Cahill’s concert is based on her long-standing interest in the form and in commissioning new music.
In Peter Sellars’s semistaged production, everything from the orchestra to the principal performances is absolutely right.
Tenor Karim Sulayman and guitarist Sean Shibe record a sophisticated album that raises questions about identity and cultural exchange.
The orchestra under Donald Runnicles, soprano Nina Stemme, and David Hockney’s color-saturated set designs are the stars of this extravagant production.
Miranda Liu is marvelous in Shostakovich’s Violin Concerto No. 1, while Ravel’s Boléro provides a colorful finale.
When the production works, it’s the music, not the directorial concept, that triumphs.
Pianist Evren Ozel, violist Jordan Bak, and violinist Geneva Lewis give an impressive recital in an unusual configuration.
For Piano Spheres, Kallay used Alexander Scriabin’s Fifth Sonata as a jumping-off point to explore “ecstatic states.”
