Emma O’Halloran’s techno-tinged music clothes the drama perfectly in tales of Dublin’s downtrodden.
Jazz, spirituals, and classical song merge in an intriguing crossover event.
Michel van der Aa’s elusive and subtle work is brilliantly realized at Cal Performances.
The latest recording release from the New York Festival of Song spotlights tenor Joshua Blue and the American activist tradition.
The choir’s concert brings together some of the pieces these singers are most associated with, including one motet they’ve performed 130 times.
Luxuriously cast, expertly directed, and conducted with fiery abandon by Richard Egarr, the show made the case for Handel’s fifth Italian opera.
The composer’s First Symphony outshines a new concerto by Outi Tarkiainen and Wynton Marsalis’s Blues Symphony.
Jessie Montgomery’s appealing, resourceful L.E.S. Characters has a happy premiere alongside Charles Ives’s pastoral Symphony No. 3.
The Norwegian group sings spiritual music from ancient to modern with its usual exquisite touch.
With high-energy gestures, Payare brought excitement, lighting a fire under the orchestra.
