Stephen King’s bestselling novel comes to the opera stage with, thankfully, less luridness than Stanley Kubrick’s famous film adaptation.
Conductor John Nelsons, mezzo-soprano Joyce DiDonato, and collaborators give great performances of Roméo et Juliette and Cléopâtre.
The orchestra caps a remarkable 10-day run with premieres from composers Ellen Reid and Gabriella Smith.
The South Bay company tests its mettle in the composer’s youthful, turbulent work.
There was a lot of talent on the stage in Torrance. Time to let them lead.
Julia Wolfe’s new oratorio makes a passionate feminist argument that’s musically and theatrically unrelenting.
Our intrepid New York correspondent binges on the city’s most celebrated new-music marathon and shares its many hidden gems.
The Seattle organization brilliantly realizes a double bill of operas about the Holocaust by composer Jake Heggie.
Stranger Love, a monumental new opera by Dylan Mattingly, astonishes in its premiere at the LA Phil.
Iveta Apkalna was the soloist in the Sinfonia Concertante for Organ and Orchestra, with the composer on the podium.
