The SF Symphony’s music director finally tackles Mahler with the orchestra, and a new work by Trevor Weston opens the program.
The virtuoso’s recital for the Omni Foundation counts as a return appearance of sorts after a concert recorded in Kyiv last year.
Inviting the African-American Shakespeare Company to share the stage pays dividends in more ways than one.
A couple of shining performances stand out in this production that just doesn’t seem to get Tchaikovsky’s grandeur.
The company, run since its founding by dancers who worked with the great choreographer, delivers a glittering production of Jewels.
The virtuoso composer joins pianist Sarah Cahill and violinist Kate Stenberg for an idiosyncratic piece that couldn’t be anyone else’s.
The 2022 Cliburn winner throws caution to the wind in a generous and exhilarating recital.
The first recital in Piano Spheres’ new season is all about the interplay of acoustic and electronic sounds.
Artistic Director Celia Fushille’s company spins through three contrasting, exhilarating works in its season opener.
Changing the setting of Donizetti’s opera adds a conceptual layer that enhances a cherished score.
