The company completes its tour of Philip Glass operas with a reimagined take on this fairy-tale classic.
The eclectic American composer has been writing ragtime music off and on since 1967, all collected on a new recording.
With several superior singers on hand, the concert was a worthy addition to the company’s summer season.
Chilling history is the basis for this 2020 piece that reworks sacred musical tradition.
The robust chorus and a venue not designed for a small original-instruments orchestra created persistent balance problems in Bach’s B Minor Mass.
Esa-Pekka Salonen leads the Bay Area premiere of John Adams’s recent piano concerto, Must the Devil Have All the Good Tunes?
The adventurous Chicago ensemble records a set of new works that at times sound reassuringly traditional.
A lot has changed since the company premiered the work in 2019, including a Pulitzer Prize for Anthony Davis’s score.
Is there enough in this opera to warrant a revival?
The dancers and musicians of the American Modern Opera Company know how to have fun while still crafting serious performances.
