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The Tallis Scholars give splendid, well-blended performances of music from the Spanish Renaissance.

Lara Downes, aided by the Brubeck Institute Jazz Quartet, presents a program inspired by the great African-American pianist/composer.

Trevor Pinnock lives to make music, and believes that it should sound freshly made. When at rest, he prefers listening to silence.

San Francisco Symphony Concertmaster Sasha Barantschik plays a special instrument — a force of nature in its own right, with a noble history.

The celebrated pianist essays an all-Schubert recital at three Bay Area venues, with his friend and colleague Jamie Laredo on violin.

The human voice reaches its apogee with Lorraine Hunt Lieberson’s recording of Berlioz and Haydn, accompanied by the Philharmonia Baroque Orchestra.

To fete Philharmonia Baroque Orchestra’s 30th season, it is mounting a new, enhanced version of Haydn’s profound oratorio, including some of the original vocal ornamentation from 1798.

Aspiring young soloists will be completely taken by this performance by the pint-sized virtuosi of the El Camino Youth Symphony's Sinfonietta Orchestra.

Castleton Festival Opera’s productions of Albert Herring and The Rape of Lucretia featured some less than stellar vocal performances.