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Heuwell Tircuit - December 29, 2008

Yo-Yo Ma’s and his Silk Road Project have come up with a new CD featuring a host of young performers supported by the Chicago Symphony. Titled Traditions and Transformations, the disc includes two standard works, Ernest Bloch’s Schelomo and Prokofiev rambunctious Scythian Suite, Op.

Michael Zwiebach - December 24, 2008

The Bay Area music community and the world lost an important voice and a respected, beloved teacher on Sunday, when composer Jorge Liderman died in an apparent suicide after being hit by a BART train at the El Cerrito Plaza station. He had recently taken a leave of absence from the music department at UC Berkeley in order to treat his depression.

Janos Gereben - December 24, 2008

The Seven Percent ‘Solution’

UPDATE: According to reports from San Francisco City Hall Tuesday afternoon, the Board of Supervisors tabled Aaron Peskin’s budget-cutting proposals, including the 50 percent reduction in support to the Opera, Symphony, Ballet, and other organizations.

Robert P. Commanday - December 16, 2008
The Santa Rosa Symphony has more than earned its role as the future orchestra-in-residence at the Green Music Center, now edging toward completion at Sonoma State University (see the feature article). It has made remarkable progress during the past two decades, even under the handicap of an acoustically mediocre home.
Dan Leeson - December 16, 2008

To say that the Pacific Mozart Ensemble concerts are eclectic is a serious understatement. Having researched a few of their previous programs, I can’t think of a single San Francisco group — and very few elsewhere — that display this much variety, creativity, and invention in programming. Certainly, their December 18 concert in the Green Room at the Veterans War Memorial Building, and titled “Brubeck and Brahms: Canticles and Love Songs” fit this mold.

Noel Verzosa - December 16, 2008
Last Thursday, the Berkeley Symphony welcomed Joana Carneiro, the last of six candidates to appear at Zellerbach Hall and make a case for their being appointed as music director. Carneiro's selection of pieces was probably the least eclectic of all the candidates' programs, though she chose hers strategically.
Jules Langert - December 16, 2008
Born a hundred years ago, just a single day apart, Olivier Messiaen and Elliott Carter, otherwise such strange musical bedfellows, had their December birthdays jointly celebrated Monday in San Francisco's Green Room, in a concert by the Left Coast Chamber Ensemble.
Robert P. Commanday - December 16, 2008

Good news does happen, even now. It took a short trip north, a week ago, to find it — but there it was, the Green Music Center, in Rohnert Park.

Jeff Dunn - December 16, 2008
Even in opera, where plots deal with the structure of destiny, it’s music, not words, that provides power. — Marcel Marceau, 1987
A composer may write fabulous music, but a weak libretto can kill it as an opera. — Jake Heggie, 2008
Every composer dreams of writing fabulous music to the perfect, dramatic libretto.
Georgia Rowe - December 16, 2008
What makes live music so moving? Audiences might have wondered last month, as three Bay Area organizations presented extraordinary performances within the space of little more than a week. First came Mahler’s Symphony No. 8, performed by the San Francisco Symphony at Davies Symphony Hall; also that weekend, the San Francisco Opera revived Puccini’s La Bohème.