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Latest From the SFCV Feed

Georgia Rowe - September 23, 2008
Aida isn't Verdi's longest, or most ambitious, opera, yet it's become the opera most often associated with big productions.
Benjamin Frandzel - September 23, 2008
One of the Bay Area’s most remarkable musical partnerships marked its ending on Thursday night at Zellerbach Hall. After 30 years of shared artistic growth, the Berkeley Symphony offered its final concert with Kent Nagano at the helm as music director.
Heuwell Tircuit - September 23, 2008

On paper, last week's San Francisco Symphony program honoring Leonard Bernstein looked like a hopeless mishmash. But no, it turned out to be a triumphal success that had been brilliantly planned. Of course, that it was honoring "Bernstein I" and conducted by what amounts to "Bernstein II," Michael Tilson Thomas, didn't hurt. But who knew the man could sing and conduct at the same time?

Anna Carol Dudley - September 23, 2008

Schola Cantorum San Francisco, having lost its founding director John Renke to retirement, is fortunate to have in Paul Flight an able successor. Friday night's concert in St. Mark's Episcopal Church in Berkeley, well programmed and beautifully sung, featured English music from the time of Henry VIII. Said Henry, he of the many wives, turns out to have been not only a strong patron of the arts — especially music — but an able musician and composer himself.

Michael Zwiebach - September 16, 2008
If you're a dead white male composer, you probably envy Leonard Bernstein. It used to be that full-career retrospectives were reserved for major anniversaries, but New York City's cultural institutions stage one every 10 years in Bernstein's honor. In 1998, the Lincoln Center Festival produced one.
Janos Gereben - September 16, 2008
"These are the things I know," begins Amy Tan's novel The Bonesetter's Daughter.
Jeff Dunn - September 16, 2008
The New Century Chamber Orchestra (NCCO), with its inspired choice of Nadja Salerno-Sonnenberg as its music director, has remade itself in such a way that its biggest problem is one that most musical organizations would be envious to have: too many syllables.
Michelle Dulak Thomson - September 16, 2008
If you had been in the audience for Saturday's Michael Tilson Thomas–led San Francisco Symphony concert, and had opened the printed program at random, more likely than not you would have hit the page of bios for the soloists in Beethoven's Ninth Symphony, which are just at the midpoint of the booklet.
Georgia Rowe - September 16, 2008
The Philharmonia Baroque Orchestra opened its 28th season in an amorous frame of mind last weekend in Berkeley.
Jason Victor Serinus - September 9, 2008
Welcome to the Angela Gheorghiu Show! I make three costume changes, one of which leaves precious little to the imagination. To complete the spectacle, I present two radically different hairdos designed to set off my runway model figure and beautiful countenance. And for this special occasion, the entire San Francisco Opera Orchestra accompanies me, conducted by Marco Armiliato.