SFCV RSS Feed Integration

Old First Concerts played host on Sunday to a varied and exhilarating program of chamber music by Stefano Scodanibbio, performed by sfSoundGroup and the composer himself.

One of the finer aspects of the San Francisco Symphony's current Brahms Festival is that in only three programs it manages to give a pretty complete view of what he stood for. The second of those three programs Thursday evening in Davies Symphony Hall featured one of his most lighthearted orchestral works, the Serenade No. 2 in A Major, Op. 16, the dramatically tragic Piano Concerto No.

When a concert is titled "Sound the Trumpet," and features music of Bach and Handel, listeners naturally expect to get their ears blasted off with the Second "Brandenburg" and the Royal Fireworks Music. But nary a kettledrum was in sight as the American Bach Soloists and natural-trumpeter John Thiessen showed the more lyrical side of the trumpet in Saturday's concert at the First Congrega

As if to mirror the state of bitterness attributed to some citizens of our country in these days, baritone Matthias Goerne and his excellent accompanist Alexander Schmalcz presented a vocal recital Saturday at Herbst Theatre that was a study in bitterness.

Lynn Harrell is one vital man. In the middle of an extended phone conversation about his forthcoming S.F. Jazz gig — he plays J.S. Bach’s complete Suites for Solo Cello this Thursday and Friday night in Grace Cathedral — the voice of a child punctuates the proceedings.

Maria Billingsley's Martinez Opera has done a great deal of community outreach and educational programming over the six years of its existence. That has given her company an identity and strong local support. Ultimately, though, an opera company is valued and judged by the quality of the work it puts on the stage.

The glamour and accolades that go along with being royalty are apparently difficult to enjoy when your throne is being directly challenged.

There are several pianists today who have built their repertoire around the music of a particular composer. I can think of a number of prominent artists specializing in Bach, Mozart, Beethoven, or Chopin. But I would hesitate to name a foremost “Rachmaninovist.” Pianists face daunting difficulties when they play Rachmaninov.

Symphony aficionados seldom get a chance to hear two performances of the Brahms Second Piano Concerto so close to each other. Last month it was performed in Oakland.

Saturday's programming for the Gold Coast Chamber Players was so delightful that it brought smiles to the face of many an attendee.