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Latest From the SFCV Feed

Mark Wardlaw - April 1, 2008
If eclecticism is your thing, San Francisco's Mission Dance Theater was the place to be on Sunday for the first annual Switchboard Music Festival.
Alexander Kahn - April 1, 2008
It has been an exciting two weeks on the podium at the San Francisco Symphony. Two of the world's most talked-about young conductors — Gustavo Dudamel and Alan Gilbert — came to town back-to-back to guest conduct the orchestra.
John Karl Hirten - April 1, 2008
The composer Ned Rorem once said that he didn't particularly enjoy going to organ recitals, because the live acoustics in churches prevented him from properly hearing the music. He thought that other organists, who are used to hearing through the acoustical fog, mostly made up the audiences for these recitals.
Janos Gereben - March 25, 2008
It doesn't matter how much hype is swirling around conductor Gustavo Dudamel. He is the real deal, a great all-around young talent, who consistently delivers the goods, as his debut concerts with the San Francisco Symphony last week proved. All of Davies Hall’s 2,750 seats were sold for a 10 a.m.
Jason Victor Serinus - March 25, 2008
Lovefest, joyful reunion, royal tribute — such descriptions merely begin to tell the tale of the U.S.
Janice Berman - March 25, 2008
Like freelancers in other fields — journalism comes to mind — Laura Jackson, one of the six finalists in the Berkeley Symphony Orchestra’s search for a music director to succeed Kent Nagano, flies in, forges bonds, does her job, and moves on.
Heuwell Tircuit - March 25, 2008
Thunder and lightning flashed from the piano in Herbst Theatre last Tuesday night as Canadian virtuoso Louis Lortie presented a sort-of-Liszt program, under the auspices of San Francisco Performances. Actually, most of the evening was built around Franz Liszt's great admiration for Wagner.
Joseph Kerman - March 18, 2008
Editor’s note: Opera and the Morbidity of Music, the collected commentaries for The New York Review of Books by noted critic and UC Berkeley music professor emeritus Joseph Kerman, will be published next month. This appreciation appeared in The Review in 1981, four years after the death of Maria Callas.
Anna Carol Dudley - March 18, 2008
Cleopatra, in the person of Isabel Bayrakdarian, stormed into the First Congregational Church of Berkeley Saturday night, in the company of the Philharmonia Baroque Orchestra.
Jason Victor Serinus - March 18, 2008
Great music has a way of repeating itself, especially in recital. Just three months ago, SFCV carried my review of a Cal Performances recital by baritone Mariusz Kwiecien that included Ravel's final song cycle, Don Quichotte à Dulcinée, and Robert Schumann's Dichterliebe.