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Latest From the SFCV Feed

David Bratman - March 28, 2023

The orchestra and director Donato Cabrera brilliantly interpret pieces that would have been intimately familiar to the composer.

Richard S. Ginell - March 28, 2023

The U.S. premiere of Felipe Lara’s Double Concerto has the two players merging avant-garde sensibilities, with Susanna Mälkki conducting.

Tamzin Elliott - March 28, 2023

The USC Thornton grad is embracing multiple community roles and ignoring avant-garde hipness in favor of inclusive, polyglot music.

Emily Wilson - March 28, 2023

The Beyond Bollywood exhibition at the Asian Art Museum will stir emotions as well as tell stories.

Janos Gereben - March 28, 2023

The 2023–2024 season sees Esa-Pekka Salonen realizing many of the ambitious plans he had previously set out to undertake.

Lisa Hirsch - March 27, 2023

Allen Shearer and Claudia Stevens’s operatic take on The Tempest succeeds most in musical moments that depart entirely from the original.

Janos Gereben - March 27, 2023

Along with the usual new works and guest artists, the lineup honors co-founder Robert Hughes and outgoing Executive Director Ellen Primack.

Victoria Looseleaf - March 27, 2023

At the Segerstrom Center, American Ballet Theatre mounts the U.S. premiere of Christopher Wheeldon’s enchanting work.

Jason Victor Serinus - March 27, 2023

Though the competition is formidable, Willis-Sørensen stands up to the greatest sopranos who have interpreted this song cycle.

Richard S. Ginell - March 21, 2023

The great trumpeter and his E-Collective group finally play a concert that was scheduled for three years ago.