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Nevabawarldapece, a new, live dance-and-music-and-spoken-word extravaganza choreographed by Robert Moses, is fitfully brilliant, yet at times hard to read.

The 18th century’s greatest musical evangelist is stunningly represented by American Bach Soloists’ rendition of the St. John Passion.

The brilliance of Emanuel Ax’s playing at Stanford is somewhat dimmed by a lidless piano and distractions around the instrument.

In honor of the opening, this past week, of the SFJAZZ Center, the Presidential inauguration, and anything else that might chase the midwinter blues, we present a list of jazz classics from the BeBop era and beyond.

You won’t want to miss Hilary Hahn, who sails into San Francisco Performances with a couple of repertory warhorses and selections from her inspirational “encores” project.

The San Francisco Symphony and Chorus, conducted by Charles Dutoit, perform Hector Berlioz’s Te Deum in colossal mode, along with the Pacific Boychoir.

With wide-ranging gifts and varied interests, soprano Christine Brandes keeps up with politics of antiquity as well as of today.