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Janos Gereben - December 18, 2012
Bryan Hymel as Robert, John Relyea as Bertram in <em>Robert le diable</em> Photo by Bill Cooper/Royal Opera
Bryan Hymel as Robert, John Relyea as Bertram in
Janos Gereben - December 18, 2012
Ceteura landfill Photo by Johanna Björk
Ceteura landfill
Janos Gereben - December 18, 2012

Not that I knew that before coming across this item, but pandiatonicism is the technique of using the diatonic (as opposed to the chromatic) scale, without the limitations of functional tonality. Perhaps not especially useful information, except to appreciate this amazing pandiatonic random orchestra website.

Janos Gereben - December 18, 2012
David Tigner, with one his students, Lianne Marie Dobbs
David Tigner, with one his students, Lianne Marie Dobbs

Bass-baritone David L.

Janos Gereben - December 18, 2012
Logo for the Regional Oral History Office
Logo for the Regional Oral History Office

When

Janos Gereben - December 18, 2012
With Bohlin on the podium, <em>Messiah</em> forces take a well-deserved bow
With Bohlin on the podium, Messiah forces take a well-deserved bow
Janos Gereben - December 18, 2012
Horacio Rodriguez, holding the fort
Horacio Rodriguez, holding the fort

There he was last week in the lobby of Davies Symphony Hall, at the intermission o

Georgia Rowe - December 17, 2012

In his thorough remaking of a holiday classic, choreographer Mark Morris has created a new tradition showing us how great, new art can emerge from older classics, forging an enduring bond with a new audience.

Brett Campbell - December 17, 2012

Virtuosic playing takes center stage on eighth blackbird’s latest CD, sometimes at the expense of the music’s power and beauty.

Niels Swinkels - December 17, 2012

Bach’s summation of his art as a composer, his Mass in B Minor, made for a healing concert the day after a horrific event.