Jones is directing this highly collaborative production that combines the work of seven choreographers, landing at The Ford later this week.
The company is betting on Bulrusher, Eisa Davis’s Pulitzer Prize-nominated play as set by composer Nathaniel Stookey.
Grant draws on years of musical mastery in his exploration of the ensemble that pioneered jazz-classical fusion.
Arranger and bandleader John Clayton has completed the score for The Africa Suite using unfinished recordings from Peterson’s “vault.”
Thomas is set to premiere Fire and Blue Sky, a song cycle written for him by composer Joel Thompson and poet Imani Tolliver.
Choreographer Joanna Haigood’s immersive new work will open up a public space.
Pratt is spending more time in the Bay Area, teaching at SFCM and soloing with ensembles like New Century Chamber Orchestra.
The baritone’s double album includes substantial contributions from major composers, as well as from fellow famous singers.
With John Adams conducting, five world premieres precede Anthony Davis’s clarinet concerto featuring soloist Anthony McGill.
Deeply steeped in his company’s legacy, the new artistic director shares some of his sensibility as DTH tours this spring.
