The orchestra and director Daniel Hope continue to program inventively, be it a Baroque concert or a multimedia adaptation of Moby-Dick.
The master saxophonist owned the Davies stage in a wide-ranging program and still had time to appear at the SFJAZZ gala after.
Benjamin Britten’s opera is pleasant if mostly uninteresting, like its titular hero.
Your cheat sheet to great music festivals across California and the West.
Classical music’s greatest summer stage will feature more women conductors and composers this year.
