The violist and violinist, longtime members of the ensemble who are both retiring this month, reflect on 40-plus years of championing new music.
Both the state of California and the city of San Francisco are facing major deficits, which can only mean cuts.
The company’s current production of Otto Nicolai’s 1849 singspiel might have just a little too much of everything.
Sheku Kanneh-Mason makes his SF Symphony debut in Shostakovich’s Cello Concerto No. 1.
Played simultaneously on a rotating turntable, the double production invites speculation on power relations and much more.
