Arturo Márquez’s violin concerto was the centerpiece of a concert conducted by the Tucson Symphony’s José Luis Gómez.
Toshi and Bernice Johnson Reagon’s operatic rendering of Octavia Butler’s novel is scarily on point but also musically winning.
The group’s season-ending concert was devoted to Handel’s Apollo and Daphne and Jean-Philippe Rameau’s Pygmalion.
Music complements visual curators’ work at the Gardner, and Steel’s innovations have brought programming to a new level of vitality.
The orchestra and director Daniel Hope continue to program inventively, be it a Baroque concert or a multimedia adaptation of Moby-Dick.
Christopher Mallett’s recording of the works of Justin Holland is a groundbreaking contribution to American guitar history and repertory.
From New York: The Metropolitan Opera star makes a recital debut that is alternately gripping and hilarious.
The master saxophonist owned the Davies stage in a wide-ranging program and still had time to appear at the SFJAZZ gala after.
The singer-songwriter discusses her collaboration with string quartet Brooklyn Rider, celebrating the power of beauty as a political act.
