Features

Robert P. Commanday - February 23, 2010
The dust had not even settled after the Green Music Center’s successful acoustical debut on Feb. 12, when a storm blew up in Sonoma County turning that dust into a gray cloud over the entire project. The storm last Thursday, Feb.
Janos Gereben - February 23, 2010

S.F. Symphony Ramps Up to Its Centennial

The San Francisco Symphony, born in December 1911, is turning 99 next season (which runs from Sept.

Janos Gereben - February 16, 2010

Dead Come Alive in Santa Cruz

Rockers all: Steve Reich, Terry Riley,<br/> Phil Lesh and MTT

If the establishment of the Grateful Dead Archive in the Ba

Jesse Hamlin - February 16, 2010
In late 2006, Misha Dichter was visiting his wife’s family in Rio when he sat down at the piano to practice Brahms’ Ballade in D Minor, Op. 10. A simple chord in the second measure stopped him cold. The renowned pianist couldn’t stretch the fingers on his right hand to make the interval of a major sixth. He panicked.

“I have big hands.

Steven Winn - February 9, 2010
For anyone who cares about 17th-century music, 2010 is without question a Claudio Monteverdi year.
Janos Gereben - February 9, 2010

Philharmonia: Not So Baroque

As the Philharmonia Baroque announces its 30th anniversary season today, Music Director Nicholas McGegan ponders the then and now of the orchestra in terms unexpected from the renowned leader of a
Georgia Rowe - February 2, 2010
Berkeley Opera has always been known for its adventurous spirit. While it has never enjoyed the large subscriber base — or extravagant budgets — of its high-profile counterparts, the company has given audiences a wide range of productions in the last three decades, offering forgotten masterpieces, English adaptations, and world premieres alongside standards of the repertoire.
Janos Gereben - February 2, 2010

West Bay Opera Goes A-Hunting

Carl Maria von Weber's 1821 opera Der Freischütz has many distinctions:

Janos Gereben - January 26, 2010

Merola 2010 Performances

The San Francisco Opera

Jesse Hamlin - January 26, 2010
Violinist Yin Bin Qian wanted to study abroad after graduating from the prestigious Shanghai Conservatory of Music, the oldest Western-oriented music school in China. He applied to graduate school at Yale, the Eastman School of Music, USC, and other American colleges.