The much-loved, much-seen show, with its opulent designs, opens the season with a lukewarm cast.
It would be a crime to miss this great cast in San Francisco Opera’s brilliant production.
The San Francisco International Piano Festival has the pianists in charge of what’s on the program, making for an eclectic mix of interests and experiences.
Together with great soloists, the California Chamber Symphony, and an excellent children’s choir, the Society creates a memorable Elijah.
Simple staging and sublime performances make the three-hour “variety show” zip by with style.
New music and old mixed together in a concert that showed how a balanced playlist can refresh the ears.
The vibrant program showcased brilliant new compositions and outstanding musicianship.
Libby Larsen’s operatic adaptation of Shelley is less than riveting in a confusing production.
A.B.S. Academy participants show their stuff in an assured performance.
Martín y Soler’s jaunty farce makes an un-edgy interlude in West Edge Opera’s festival season.
