The composer’s rarely performed Credo shares a concert with works by J.S. Bach and a premiere by Zanaida Stewart Robles.
More than 60 years after its first and last performance here, Simone Young leads the orchestra in this delightful work.
The production, seen in San Francisco last season, seems uninspired at the Dorothy Chandler Pavilion.
The trumpeter’s new group combines a jazz quartet with a string trio and doesn’t sacrifice the particularities of either ensemble.
The group’s collaboration with electronic musician Jlin anchors a riveting L.A. show.
A quirky contemporary double bill from Opera Parallèle serves up both laughs and emotionally powerful moments.
In likely his last program with longtime recital partner Kathryn Stott, Ma’s ravishing sound reminds us why we go to live concerts.
The conductor’s illness has not dulled his musicianship or memory.
The composer’s new piano concerto, written for Garrick Ohlsson, is all about bridging distances.
Aaron Diehl shines in Timo Andres’s new piano concerto, while the orchestra’s principals solo in music by Adams and Aaron Copland.
