Reviews

Robert P. Commanday - January 27, 2014

The Lamplighters Die Fledermaus is fresh and lively, crisply paced by the Conductor George Cleve and Director Barbara Heroux, showcasing the singing, and this cast was on top of its game.

Steven Winn - January 27, 2014

Again showing its unity of purpose and overall grace, the American Bach Soloists perform a concert of rejoice and celebration, while praising seven of its longtime members.

David Bratman - January 27, 2014

In a double program the Takács Quartet took on all six string quartets by Béla Bartók, a canon in modern music that couldn't be more intimidating, gnarly, and downright difficult.

Be'eri Moalem - January 27, 2014

The Cypress String Quartet presents works by Slavic and British composers in a refreshing program at the SFJazz Center.

Jason Victor Serinus - January 26, 2014

Theodora (1749), the Handel oratorio, returned to Weill Hall to transcendent effect.

Steven Winn - January 24, 2014

In the first of two Cal Performances recitals, pianist Emmanuel Ax, with mezzo-soprano Anne Sofie von Otter, gave a wide-ranging account of Brahms’ lieder, accompanied by two world premiere works.

Jeff Dunn - January 23, 2014

The Marin Symphony’s “American Dream” program, which featured music and Noah Griffin reading King’s stirring words, for results that were excellent and powerful.

Jason Victor Serinus - January 21, 2014

A packed house greets the West Edge Opera’s concert performance of Rossini’s early opera, Elizabeth, Queen of England; rarely performed, but well-done here.

Janice Berman - January 20, 2014

Glorious dancing to a seeming musical puzzle is the signature of Random Dance’s Far, the London company seen at Yerba Buena Gardens.

David Bratman - January 20, 2014

The presentation of a cycle of all 10 of Beethoven’s sonatas for violin and piano is a rare enough treat; on period instruments an even a rarer one.